Does the West End really need a stage adaptation of “Fawlty Towers”, the “greatest British sitcom ever made”? I entered the theatre feeling pretty sceptical, said Fiona Mountford in The i Paper. But I “emerged two hours later, giddily and delightfully weak from laughing and reminded for the umpteenth time of the sheer folly of making pre-emptive judgements about shows”.
John Cleese himself scripted this adaptation, which weaves together three favourite episodes of the comedy he co-wrote with Connie Booth: The Hotel Inspectors, The Germans and Communication Problems. Thanks to slick writing, hilarious performances and “super-smooth” direction from Caroline Jay Ranger, it recreates the original TV show’s “magic” and leaves the audience “wanting more, much more”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
SUBSCRIBE & SAVE
Sign up for The Week’s Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
To continue reading this article…
Create a free account
Continue reading this article and get limited website access each month.
Already have an account? Sign in
Subscribe to The Week
Get unlimited website access, exclusive newsletters plus much more.
Cancel or pause at any time.
Already a subscriber to The Week?
Unlimited website access is included with Digital and Print + Digital subscriptions.
Create an account with the same email registered to your subscription to unlock access.