Disney+ K-drama Moving: superhero series starring Ryoo Seung-ryong and Han Hyo-joo starts slowly but shows its ambition

Lead cast: Ryoo Seung-ryong, Han Hyo-joo, Zo In-sung, Go Yoon-jung, Lee Jeong-ha, Kim Do-hoon, Cha Tae-hyun, Ryoo Seung-bum

Those disappointed by the return of The Uncanny Counter this summer may want to consider switching over to watch a new group of Korean superheroes on Disney+ in Moving, the most expensive Korean drama series to date.

Seven of the show’s 20 episodes dropped on the day it launched, an unusually large number but a wise choice given that the series takes some time to iron out a few kinks.

Give it time and you will find yourself immersed in an ambitious series the likes of which has seldom been seen in the K-drama industry.

The show’s huge cast features veteran stars Ryoo Seung-ryong, Han Hyo-joo and Kim Sung-kyun playing parents with ordinary jobs but extraordinary abilities, which they have all passed down to their children, played by Go Yoon-jung, Lee Jeong-ha and Kim Do-hoon, who all attend the Jeongwon High School.

Also featured are Cha Tae-hyun as a friendly neighbourhood bus driver, Ryoo Seung-bum as a ruthless operative hunting those with super powers, and Zo In-sung, whose character appears only briefly in these early episodes.

All the characters have their own, fleshed out backstories as well as new threads binding them together.

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High-school seniors Kim Bong-seok (Lee), Jang Hui-soo (Go) and Lee Gang-hoon (Kim) are all hiding their powers, not realising that they share this burden with some of their classmates. What they also have in common is the prospect of sitting some daunting university entrance exams.

Hui-soo has just moved to town with her dad, Jang Ju-won (Ryoo Seung-ryong), who has opened a fried chicken shop. The move came after Ju-won was expelled from her previous school. She got into a fight when she stood up for a bullied classmate, but her lack of injuries – she has the ability to self-heal – put her in a tough spot.

Lee Mi-hyun (Han) runs a spacious and secluded pork cutlet restaurant where she tries to keep down her son Bong-seok with a duvet that hooks to his bed and heavy weights in his school bag – he begins to float away when his emotions get the better of him.

Han Hyo-joo as Lee Mi-hyun in a still from “Moving”.

There are other individuals with super powers around them who have been keeping low profiles. They start dying one by one following the appearance of Korean-born American spy operative Frank (Ryoo Seung-bum), who, posing as a delivery truck driver, wreaks havoc across town.

Behind all these characters are shadowy international government functionaries who seem to have had a hand in creating them, not to mention the mysterious staff at Jeongwon High, who are preparing their students for special tests and who serve at the beck and call of an unusual man with hairy ears and a sniffly nose.

Moving starts out in very broad style, filled with humour, cutesy characters and comfortably familiar family stereotypes. These clash with violent action scenes featuring the vicious Frank.

Ryoo Seung-bum as spy operative Frank in a still from “Moving”.

The first few episodes are a bit slow going, but provide time to introduce us to the many characters. Some of the interactions between those characters are initially a little awkward.

As the story starts to come together and some of the characters learn about each other’s secrets – the unfolding friendship between Bong-seok and Hui-soo is a pleasure to behold – the show sheds some of its cutesy trimmings.

We begin to care about the characters, and the looming threat of Frank – he keeps asking his adult victims if they have any children – adds some serious stakes to the story. When Frank is not busy talking – sometimes in awkward English – he gets down to business, excelling in some white-knuckle action set pieces.

Go Yoon-jung as Jang Hui-soo in a still from “Moving”.

There is an extraordinary shoot-out and dust-up in a cramped hair salon, and other inspired moments such as a single shot that captures Frank inputting an address in a GPS and barrelling through tight alleys and terrified pedestrians until he mows down his target, a delivery scooter rider.

Beyond its action-packed interludes, the show draws us in with the characters’ backstories; several episodes focus on these through extended flashbacks. The flashbacks to when Hui-soo was bullied at school are particularly effective, and recall the hugely effective school scenes in recent series The Glory.

By episode seven the show has really set its hooks in us, and yet the story has only just begun. The students are only beginning to control their super powers and the scope of the danger that awaits them is not entirely clear.

Lee Jeong-ha as Kim Bong-seok in a still from “Moving”.
Moving is based on a webtoon of the same name and is a rare K-drama series in which the writer – webtoon titan Kang Full – has also penned the screenplay. Despite its slow start, having Kang transfer his own story from page to screen appears to have paid off.

Moving is streaming on Disney+.

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