Fuchsia Dunlop on giving Chinese food its due as ‘a very sophisticated cuisine’ in her latest book, Invitation to a Banquet

“The fact that it’s not really acknowledged as a very sophisticated cuisine by most people is very reductive.”

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Dunlop previously worked as a subeditor for the BBC and as a restaurant critic at Time Out. In 1992, she took her first trip to China for an editorial job, which sparked a lifelong passion for Chinese food.

Upon her return to Britain, she took evening classes in Mandarin, won a scholarship to study minorities history at Sichuan University, in Chengdu, in 1994, and became the first Westerner to train as a chef at the Sichuan Higher Institute of Cuisine.

Dunlop has written a number of bestselling books on Chinese food. Photo: Sun Kai

“I’m a complete convert and will forever be a student – I find Chinese food an inexhaustibly fascinating subject,” she says. “I keep learning something new and surprising about it. I don’t think I’ll ever get bored of it.”

Dunlop has written a number of bestselling books on Chinese food, including Land of Plenty: A Treasury of Authentic Sichuan Cooking (2003), the autobiographical Shark’s Fin and Sichuan Pepper (2008), Every Grain of Rice (2012) and The Food of Sichuan (2019), several of which have been translated and published in China.

Her latest, Invitation to a Banquet, is not a cookbook, but a personal, detailed account that delves into the expansive realm of Chinese cuisine. The book explores the importance of food within Chinese culture, heritage, politics, religion and everyday life.

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Each chapter follows her travels around the country meeting local food producers, chefs, restaurateurs, gourmets and home cooks, examining key ingredients, classic dishes and traditional techniques.

The book started out as a lockdown project – with Dunlop unable to travel to China because of Covid-19 restrictions, she looked back at the ideas and recipes she had scrawled on the various notebooks she had amassed over her three-decade career.

She wanted to ask what Chinese food truly is.

Silver pig’s ear salad from “The Food of Sichuan” by Dunlop. Photo: Yuki Sugiura

Having taken my seat at the correct restaurant, we ease into the meal with a pickled vegetable and stir-fried edamame bean starter.

“There’s a real art to ordering a Chinese meal, it’s like a symphony and a Chinese menu can be daunting,” Dunlop says, as she talks through the dishes on her carefully curated banquet menu.

I’ve spent all this time learning about China and Chinese food, but I’m a Westerner who grew up in the West. I try to look at things from different angles

Fuchsia Dunlop

A soybean does not sound like much, but it is the backbone of all Chinese food.

Whether it is soy sauce – the Chinese seasoning staple that is found in kitchens all over the world – or the protein-rich meat alternative that is tofu, the Chinese pantry cannot do without beans and they play a huge part in the background as everyday home-cooked food.

Next on the menu: jellyfish with cucumber and black bean chicken feet. I look around to see some worry on the faces of my fellow dinner guests. But Dunlop reassures them and calls these dishes “texture food”.

The cover of “The Food of Sichuan” by Dunlop.

It is a category that she explores for an entire chapter, casting light on the astounding vocabulary that the Chinese have to describe food – and something that is often overlooked or mistranslated in the West.

But understanding how the food sits on the palate and how it interacts with the act of eating unlocks the possibilities of pleasure in Chinese food.

“I’m sure most of you tonight have not tried jellyfish or chicken feet,” says Dunlop. “I know there’s not much flavour and they’re more sponges, but what you’re supposed to be doing is appreciating the texture, and having that knowledge opens the door to enjoying Chinese food on another level.”

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Before we have any time for appreciation, however, we are met with an onslaught of dishes coming out of the kitchen one after another.

The lazy Susan struggles and strains under the weight of honey barbecued pork, sweet and sour prawns, fish fragrant aubergine with minced pork, braised lamb brisket with mooli (radish, or daikon) in an enormous clay pot, mapo tofu and a breathtaking butterflied whole steamed sea bass with ginger and spring onion swimming in a sea of soy sauce.
Dunlop advises us to wait and whips out a small plastic bag of ground Sichuan peppercorn she smuggled back from her recent Chengdu trip.
Mapo tofu made by Dunlop. Photo: SCMP

“The Cantonese version [of this dish] is too mild for me,” she says with a knowing smile, as she sprinkles the pepper on top of the mapo tofu. “I just love how zingy this is and how it adds another dimension.”

She is right – there is an electrifying jolt that awakens the taste buds and numbs the tongue. It is ma la, meaning, respectively, “numbing” and “spicy”, but there is no direct English translation for this.

There is a whole cooking glossary and terminology in Chinese that is virtually unknown outside China. Dunlop draws comparisons with the French, who also have a complex vocabulary.

A Chinese meal made by Dunlop at home. Photo: SCMP

“In France, there’s this really serious cooking culture. That’s why in English, we borrow things like crème fraîche, béchamel, mayonnaise – they’re all French, right?” she explains.

“China has that similar level of sophistication, but multiply that by 10. China’s huge and France is only as big as one Chinese province.”

Globally, Cantonese food was one of the earliest known and most widely served cuisines, focusing on fresh vegetables, seafood and meat with relatively more delicate sauces.
The cover of “Every Grain of Rice” by Dunlop. Photo: SCMP
When the first Chinese labourers began to settle abroad, Chinatowns and restaurants appeared in their wake. For more than a century, the prevalence of a simplified version of Cantonese cuisine dominated, limiting foreigners’ exposure to its intricate and sophisticated flavours, but all that is changing.

We reach the crescendo of the meal and I am grateful to be wearing loose trousers. The waiters clear the table for the final course and the room waits with bated breath for what is coming next.

A cloud of billowing dry ice emanates from a theatrical-looking mountain of deep-fried toffee bananas covered in an intricate sugar spun nest.

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“I know, toffee bananas aren’t very Chinese, but we Westerners always have to have a dessert,” she laughs. “I’m an outsider and I notice things differently. I suppose that’s the same with this book. I’m writing from a place in the middle.

“I’ve spent all this time learning about China and Chinese food, but I’m a Westerner who grew up in the West. I try to look at things from different angles. Comparatively, I think that’s why people in China find my viewpoint interesting, because it’s not a Chinese viewpoint.”

Invitation to a Banquet: The Story of Chinese Food, by Fuchsia Dunlop, is published by WW Norton.

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