Sharjah Animation Conference 2024 concludes with 8,000 attendees|Arab News Japan

Amin Abbas

SHARJAH: The year’s Sharjah Animation Conference (SAC) concluded its five-day celebration of the creative medium of animation, welcoming over 8,000 animation enthusiasts and industry experts from around the world.

Organized by the Sharjah Book Authority (SBA), the second edition of this premier event showcased the boundless creativity and innovation shaping the future of the animation industry.

The conference featured an exceptional lineup of 32 international speakers, 11 workshops, comprehensive masterclasses, and 18 panel discussions, providing attendees with a unique opportunity to learn from the best in the business and explore the latest trends and technologies in the field.

SBA arranged a number of meetings between publishers and animation studios to discuss new horizons in transforming fictional novels into cinematic works and television series throughout the five days. The authority aimed to provide opportunities for writers to create visual content and develop the animation sector in the Arab region.

SAC 2024 featured a host of professional artists and award-winning talents, including industry legends like Kristof Serrand, known for his distinguished and internationally nominated artworks, and John Pomeroy, the legendary director whose contributions have enriched cinema with works like ‘Pocahontas’ and ‘Fantasia.’

Masao Maruyama, the octogenarian Japanese producer and co-founder of Madhouse, MAPPA, and Studio M2, narrated in an interesting session the transformative journey that elevated Pluto from the static pages of a manga to an anime.

“I had to set up my own studio to bring the project to light. I was 70 when I started it, and it took me 10 whole years. It is also the reason why I am here today,” said Maruyama.

“In Pluto, we used both digital and hand-drawn animations to create a seamless flow that looked very natural. For instance, the sandstorms were hand-drawn by our top animator,” he said, adding that they want to protect the legacy of 2D hand-drawn animation and have it preserved in Japanese animation.

The closing ceremony also served as a platform to acknowledge the winners of the SAC Awards, which were presented by Ahmed bin Rakkad Al Ameri, CEO of SBA.

In her closing address, Khawla Al Mujaini, Executive Director of SAC, expressed her delight at the response to the event, saying, “The success of the 2nd edition of the Sharjah Animation Conference has been truly fulfilling, and we are proud to have welcomed over 8,000 passionate animation enthusiasts, publishers, and industry leaders from across the region and the world. The future of animation is bright, and we are thrilled to be at the forefront of this journey, cementing Sharjah’s position as a regional hub for the creative industry.”

Echoing this sentiment, Pietro Pinetti, Artistic Director of SAC, stated, “It has been an absolute pleasure to help curate the conference again this year. We have witnessed the boundless creativity and passion of the global animation community converge in Sharjah, which was inspiring. This success could not have been possible without the efforts of our dedicated team, the support of our sponsors and partners, and most importantly, the enthusiasm of the public—animation lovers who embraced this event and made it their own.”

The SAC Awards, which challenged animators, creatives, and storytellers to showcase their talent and contribute to the vibrant animation industry, the “Pitch the Project Award” and the “Book Trailer Award,” were met with an overwhelming response, with participants from across the region and beyond submitting their innovative ideas and captivating visuals.

The “Pitch the Project Award” celebrated Middle Eastern animation and challenged entrants to conceptualize a potential animated series aimed at preschoolers or kids, with the top three winners receiving fantastic prizes to further their animation dreams. Boubaker Boukhari took home the first prize of AED 9,000, a Wacom drawing tablet, and a professional animation software license for Toon Boom’s “Harmony” software. Abdulazeez Al-Refai and Raghad Odeh secured second and third place, winning AED 5,000 and AED 3,000, respectively, as well as Wacom tablets and software licenses for Toon Boom’s Storyboard.

The “Book Trailer Award” recognized the art of promotional advertising, with participants creating 30 to 60 second videos to capture the essence of the ‘Kharareef’ book series by Emirati author Dubai Abulhoul, published by Kalimat Publishing Group.

Budoor Almahri claimed the first prize of AED 9,000, a Wacom drawing tablet, and a Toon Boom Harmony software license, while Zeinab Mabrouk was awarded the second prize, including a Wacom tablet, a cash prize of AED 5,000, and a Toon Boom Storyboard software license.

The conference was further enriched by a captivating and insightful presentation from the esteemed Disney Director, Andreas Deja, commemorating the 30th anniversary of the timeless animated masterpiece, ‘The Lion King.’

Deja’s engaging tribute to this iconic film not only highlighted its enduring impact on the animation industry but also offered a glimpse into the creative process and vision that brought this beloved story to life.

Additionally, Deja treated attendees to a special screening of his short-animated film, ‘Mushka.’ This enchanting film, accompanied by a mesmerizing musical score composed by the talented Italian-American artist, Fabrizio Mancinelli, showcased Deja’s mastery of storytelling and animation, captivating the audience with its artistry and emotional depth.

Throughout the five-day event, SAC 2024 received incredible support from its sponsors, including Toon Boom Animation, WACOM Tablets, and Micro-Star International Co., Ltd. (MSI), all of whom played a vital role in the success of the conference.

The closing ceremony was serenaded with a spectacular performance by the Florence Pop Orchestra, who captivated the audience with their renditions of classic Disney soundtracks, including ‘Mulan,’ ‘Beauty and the Beast,’ and ‘The Lion King.’

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